Monday, April 26, 2010

Doors Open

Arch Record's April issue had a small article highlighting this free service provided by a handful of cities around the globe, where you have the "opportunity to explore buildings that are either closed to the public or normally charge an entrance fee."

It's called Doors Open Denver, or Doors Open Toronto, etc.

I'm thinking this would be an excellent opportunity for us recent grads to saddle up for some architectural exploration! This website contains links to each of the known Doors Open locations.

I'm struggling to find the dates for the events, but I do believe the Denver one has already passed. And the Lowell one is the weekend I am hosting a bridal shower. Therefore, this year tanks for me - but there's always next year - I am jotting that down in my planner, fo' sho'.

Saturday, April 24, 2010

Sketch Contest

So I just now opened April's issue of Architectural Record and discovered this quaint little contest. I'm not sure if we are "eligible" to participate, since we are not yet registered architects and we are not quite fully "trained as one," but perhaps they will let that slide. Check it out and see if it peaks your interest. I don't' think I have any such napkins around, but if I encounter some in the coming months I shall surely put them to good use!

Wednesday, April 21, 2010

Receive IDP Credit for Architectural Record Articles

I believe I introduced this topic a few weeks ago, when I was officially accepted into the AIA as an associate member. For any article in Architectural Record that is accompanied by the AIA/Continuing Education logo, you can obtain IDP credit. Each article has an expiration date, though, so be sure to complete it before that date passes.

Luckily the AIA, McGraw Hill and IDP have their ducks in a row for this task, because once you complete the quiz online your just sit tight! McGraw Hill submits your score to the AIA who then approves the specified Learning Unit. This approval process, however, takes at least 30 days (again, this is 2010 and digital submissions take weeks to validate?). Once your quizzes are approved by the AIA, the credit is added to your AIA transcript. You can then download the transcript and post it to your NCARB account.

This whole process takes weeks... all for an article/quiz that probably took 45 minutes to read/answer.

In fact, at this moment I am yet to see my credits approved by the AIA for quizzes I took as far back as March 20. Hmmm... I'll keep you posted as to whether this process is accurate, but it seems like (to reiterate) the only things you do are...

1.) Complete the quiz online
2.) Download your AIA transcript (after AIA approves credits submitted to them by ArchRecord)
3.) Post your AIA transcript to NCARB

Today I received my official AIA associate membership card, certificate, key phob and lapel pin in the mail! Now I can be cool and sly like the other members at the office, and whip out my card when I need to reference my number... hehehe.

Sunday, April 18, 2010

Love Letters to Dead Architects: Demo-cracy

Dear (INSERT NAME HERE) ___William Levitt_____,

Congratulations! You have made it to the Love Letters to Dead Architects. I am personally excited about your addition(s) to the architectural world. Surely your work in standard, modular design will live forever in our minds and hearts. Through your innovation (s) in creating a/an available and easily constructible home standard for veterans returning from WWII that could be customized in small ways like, for instance, color you have really made a difference. Nevertheless, as is standard, there must be some criticism; we here at Retly Corm have found a few issues with your design which are listed below:

- How does this address natural landscape? Like, AT ALL?
- There is now an overwhelming dependence on cars
- Why is it just white people? The lack of diversity seems highly suspicious.

Despite the obvious flaws however, you did create/change the face of the American suburb, and in many ways set into motion the social revolutions of the 20th c. you have one of the few instances in which architecture is capable of actually changing the world, the field expects revolutions to come frequently but they rarely do, the movement that you began cannot be ignored as legitimate architecture.

Again, congratulations on your Love-letter,

Sincerely,

Retly Corm

Dear Charles Bullfinch,

You know what you are Chuck? You are a Faberge Egg Repair man. Big, pompous, delicate structures that, for some reason, have fallen into your hands and for that I’m sure no one has ever apologized. They should have, you deserved better.

The best example? The US Capitol building, what a nightmare THAT is. That project is the village bicycle, everyone has had a ride. I hope you know that now that you’ve been in that building, you’ve been with every architect it’s ever been with. Gross. Good work finally getting a roof on there though, surely this will be the only example of politics messing up art architecture. Ever. EVER.

Some people later may call your structures plain and so mired in enlightenment thinking that it does not become anything more than a pedantic fill in the blank solution. I think you’re more than that. I think you care about your country, I think you care about how they’re perceived by the international scene, if that means playing by their rules, so be it.

Yours ever,

Retly Corm
Mon Cher, Francois Mansart,

I saw your roof through the trees yesterday, and my heart stopped. Something so structurally practical and yet so beautiful has not been available since the tri-beam truss. Oh those Etruscans. While I can see the influence of your master, Solomon de Brosse, pretty clearly through the forms, they are clumsy first attempt at a post renaissance French style, waiting to be perfected by your hand.

Truly you are the best of your age, wrapped in baroque, but never stagnant, always moving towards the next idea.

However, why must you be so exclusive? Isn’t it possible that your search for perfection in architecture will set up a visual divide between the rich and poor of France so drastically that people will begin to question the use of their tax funds? Not only that, you may be setting a precedent for others to follow. Oh! Don’t look so serious! I’m sure that’s not exactly what’s going to happen, in like, a century. Après vous, la deluge arrive pas,
Avec amour,

Retly Corm

Wednesday, April 7, 2010

She Stoops to Conquer

So I was going to write a “Love Letter to Dead Architect” today and then I realized that my letters generally lack subjects of the female persuasion and I felt I should address the issue.

Women and Architecture, it’s always a tough subject. As far as I can tell in the world of construction there are two kinds of negative male to female relationships.

Option #1: Listen Girly, I may want to bang you, but I’m certainly not going to take your advice seriously.

Option #2: Aww, look at you, all cute and build-y.

There are of course many different variations on this theme but it’s hard when you want to be taken seriously and you have to navigate the waters in-between objectification and patronizing advice. If we look at fields in which women have been involved a little longer, for example, Law. The solution to this problem presents itself in a two-fold process.

Step 1: Just be better than those who would judge you. Stay sharp and if you can’t beat someone with experience or technical knowledge, beat them with desire and energy. You can never expect someone to see you differently until you give them reason to. Whatever you do, try not to play into the stereotypes of either “bitch” or “bimbo”. Not to be too Machiavellian, but if you have to choose whether to be feared or loved, pick fear, pick respect. This does not mean going out of your way to act tough, real inner strength is much harder to come by and much kinder to those around them.

Step 2: Wait. Just wait. This may be harder to withstand, but attitudes and cultures are fluid and with Step 1 firmly in place, the mortal coil will be shed and the environment will change. It just takes time.

Step 2 may be really irritating but let’s remember; Women have only been in the field officially for about 40 years, so I think the biggest hurdle we have to overcome is not the attitude of the people we work with, as much is it our gender’s lack of precedent. Without any laurels to rest on, that means having a lot of work to do. Starting from scratch has both benefits and pitfalls. On the plus side, women can define themselves not as accessories to male architects, but as their own embodiments. On the downside, there’s going to be a lot of Gina Davis in “Fletch”-type branding. Women can be there, but they can’t be the star. The best to expect: a token example of diversity. The novelty of a female architect will fade only when they are equal in number to their male counterparts. But until then, the perception of strangeness has to tolerated, an extreme example of this is in Zaha Hadid.

Zaha has brought a lot positive strength to aspiring female architects, but I have to wonder: would she be the driving force she is if she was a man? Like many starchitects she relies too heavily on her own style until it’s almost self parody, and yet she remains unscathed from the kind of criticism that in continuously chucked at Frank Ghery, who does basically the same thing. Not that she doesn’t receive that kind of criticism, but it has a tendency to be played down.

When does being a woman, designing like a woman or thinking like a woman become a shield or a crutch?

Personally, while I think that women and men are wired differently from one another, I don’t think it changes how a building gets put together. Steel is still steel and brick is still brick. Men and women will do different things with them, and I’ve heard arguments that state there are clear differences in how the two genders design and it could be my own ignorance, but I just don’t see it.

Finally, there’s one more part I want to discuss for female architects, and that’s how to balance biological instinct vs. career. I hate to say it, but most of the female architects I respect are either woefully unmarried or defiantly single and don’t see that changing in the foreseeable future. Maybe something about buildings kills the desire to reproduce and that’s why there is so little desire to marry. Buildings, after all, are meant to last forever as a testament to human endeavor; children are less reliable and may just wind up hating you. Unfortunately, one thing is clear; neither of them calls as often as they should.

Point is, I don’t have an answer to any of these questions, but I think it’s an interesting couple of trends.


alternate title for this post:
All the Single Ladies. (Put a Roof On It)

Sunday, March 28, 2010

Love Letters to Dead Architects: The Rapture

That's right! After much slumping out on my part, It's back! Love Letters to Dead Architects. This week's special guest stars: The Post-Modernist, The Engineer, The Gentlemen, The Professor and Mary-Ann.

Dear Jorn Utzon,
Those stupid politicians, I still can’t believe it. There they are, forcing you to compromise your design so substantially that the interior becomes a pathetic accessory to an almost perfect exterior. Just say the word and they will be boomeranged faster than you can say “A dingo ate my ceilings”.

You might well wonder at my knowledge of your personal politics. All I can say is that it’s no secret. Everyone all over Sydney is talking about it. It is a terrible day indeed when mediocrity conquers genius. That’s what your building is my darling, my tan-faced, dearest, sweetest man.


Don’t worry my love, you know, I know, and anyone with any sense knows that the Opera-house will stand long after those men are dead. There will come a day when your vision will be restored to its proper place.

I once knew your master, Alvar Aalto very well. He and I were strange allies with warring hearts. Between our bickering arguments He always took time to speak well of you, and I can see that the praise was very well deserved.

Though you know him well enough that he will never admit it, I am sure he is so proud of how hard you fought for the design. You did not retreat because of selfish reasons; I know that you would have stayed to the bitter end. You left because you had to pay your workers. You could take the hit, they could not. It takes a real man to recognize that.

You are more man than the entire parliament put together.

With Love,
Retly Corm


My Dearest Isambard Kingdom Brunel,
I knew you from the moment I saw you. That handsome face, the cigar firmly placed in-between your lips, that confident swagger and that ridiculously oversized hat. I said “That, that is what a great engineer looks like.” Then you coughed a coin out of your mouth and I was officially smitten.

Totally sweet name by the way.

I had heard of your work from time to time, that it had revolutionized this or that, never really knowing much about it. Recently I finally saw Paddington station and the Great Western railway. Such form and power, simply through structure, it’s no wonder all those impressionists have taken such a liking to that kind of architecture. However it was not there where my admiration of you blossomed.

As you may or may not know, I have always had a fascination with modular traveling architecture, so imagine my surprise when I found that you had beaten me to it. “A modular Crimean War hospital?” I asked, disbelieving. “Naturally” They replied.

Imagine my surprise. I am sure that there is nothing you cannot do Isambard.

All my love,

Retly Corm

Dear Christopher Wren,
So what is this to you? A joke? A hobby? I for one, sir, take architecture seriously. Now I know what you’ll say “Oh my dearest Retly, the architectural profession is simply different in the 15th century, it’s a different understanding of the art” well you can just tell it to the wall buddy because I’m tired of your excuses.

You have the formula for: intelligence, charisma, independent funds, connections, all of that. What you lack is commitment. Just look at your design for St. Paul’s. You can’t tell me that that dome made you really happy.
And your 50 churches after the great fire? You could have made London greater than Rome in it’s tourist revitalization, but you just gave up. YOU JUST GAVE UP.

If you want to find me, I’ll be in my chambers. Crying over what we could have had.

Retly Corm


Dear Bernard Maybeck,

Oh darling, please believe me, I didn’t mean to do you any harm.
When I said that you never discovered your own style, I meant it in a good way. You have a great talent for criticism and interpretation. It’s just that…how can I say this, it just isn’t relevant anymore.

Grecian Palaces, Ski Chalets, Old English Mansions? They just seem silly in California. I won’t mention those two gentlemen of the viridian persuasion because I know how much you hate that but I don’t see why you don’t see.

Your talent is wasted on lazy clients, quit them, and go rogue with me we could do such marvelous things together if we gave up on the rules.

I’ll wait, but not forever,

Retly Corm

Dear Thomas Jefferson,
I get it alright! You’re a genius. I mean you’re already one of the best writers of the 18th century, a brilliant inventor and one of the greatest politicians of all time. And FINE, you’re also a great patron, pushing needy losers to be legendary. (That’s right, I know ALL about Meriwether Lewis) But did you have to take architecture too? I mean, Benjamin LaTrobe is just begging to be considered America’s first architect and you just won’t let him have it. Can you please spare a little bit of glory for someone else?

I mean, honestly, did Monticello have to be so perfect? So like you? Seemingly open but deeply secretive. That place, so strangely important to its viewer and yet so indifferent as to their opinion. More so than anything else that exists in this infant country, Monticello is in permanent congress with the land, clearly in love with the land you fought for. Harmonious, elegantly crafted, and intellectually deep. GAH! Now, I’m doing it. I hate you Thomas Jefferson! You’re too damn good! Leave me alone!

Love,

Retly Corm

Wednesday, March 24, 2010

Converting Continuing Education into IDP hours

So, I was very excited about getting my AIA number, I completed a whole slew of CE credits from my previous issues of Architectural Record. When you complete these tests online, McGraw-Hill presents you with a certificate. I thought this certificate was what I should submit to validate my IDP hours. Turns out I was wrong. After submitting them all over the past few days I received this comment in my NCARB Records:

3/23/2010 2:41:58 PM
NCARB Staff rejects supplementary experience with possibility for revision
NCARB Staff comments: To receive the supplementary education hours you must submit the official AIA transcript. You can submit the certificate to the University of Oklahoma, they evaluate courses for AIA. After Oklahoma approves the credits AIA will add the course to your transcript. This website contains some of the information. Additionally below I pasted the information that states where to send your certificates to. http://www.aia.org/professionals/groups/epn/AIAS075010#P34_14869 If you received a certificate with an AIA CES logo on it you can fax it to the AIA CES Records Department at 405-325-6965


After some scanning on the AIA's website, I also found this nugget:

How do I submit AIA Continuing Education work for IDP supplementary education credit?

Get an AIA number.
If you are an AIA member, use your AIA member number. If you are not an AIA member, see the instructions below.

Attend a sponsored event or complete a self-designed activity.
AIA components and AIA CES registered providers sponsor continuing education events. When you attend an event, follow the AIA registered architects lead by signing in with your name and AIA number. The event provider is responsible for submitting your information to the University of Oklahoma, which maintains CES records.

If the activity was performed on your own, such as completing the questions for a continuing education article from Architectural Record, then you are responsible for submitting a self-report form online to the University of Oklahoma with your AIA number.

Download your transcript.
You can download a copy of your transcript from the University of Oklahoma Web site at any time (or request a transcript in writing, one free each year).

Report your work on the e-EVR.
Report your work through the e-EVR in "My Supplementary Education" tab. The transcript documenting completion of AIA-approved resources must be uploaded to the e-EVR at that time.


As it turns out, completing those quick and easy CES quizzes in Arch Record was not as quick and easy as once thought. Perhaps this is a lesson in the extensive paperworking that the profession entails.

To continue the saga, I went to the CES website. I entered my new AIA number. And what would you know, they don't recognize it! Now what!? I guess I have to wait a while until I'm completely in the system?

Yeah this is mildly frustrating, as it is 2010 and I don't quite see how one server can be updated and another cannot. It's been almost a week since my account was created. I can understand it taking some time to process my account's creation, but I would think that once it's up, it's up.

I guess I'll keep trying to log into that CES system. If I can't get in by next week, maybe I make some calls.